by Anna Cooperberg Gonzalez
Chocheng / womenswear
PrintWho would ever want to wear a Tiffany’s box? If I were to ask any woman if she’d like to receive one of those coveted little turquoise boxes tied with a white satin bow, she’d become a bobblehead. But wear one? I don’t think so. And yet, the focus and inspiration of Chocheng’s Spring 2010 collection was those boxes; the bright blue of a few dresses stood out against a collection that otherwise had no color, only white and black.
The Chocheng show was, to say the least, extremely high drama. So many striking creations in black, white, and cream captured the attention before the shock of the blue hit the runway. With such a miniature color palette, Chocheng made inventive use of intricate detailing and cut. Every detail was minute and unique, such as the tiny popout scalloped trim that adorned necklines and wrists, dramatically low-cut backs, and super-swingy coats and vests with baubly buttons. I adored a certain getup in all-black that made exquisite use of a paneled pencil skirt paired with one of those tiny trapeze coats skimming the hip just so, but it was those blues that captured everyone’s attention even more than the appearance of runway star Coco Rocha, who closed the show in an extremely regal, heavy, and caped ivory gown. A modern wedding confection, perhaps?
So you want to get the look? That’s quite simple. Make use of color in the spring, but don’t overuse it- just a bright little pop here and there will do just fine. And while you’re at it, why not tie a little white bow in your hair? It’ll be not only a nod to that iconic packaging, but give you a decidedly sophisticated city air.
30 April 2009
vol. 6, issue 12
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By Liza Eliano
Columbia students leave the city to explore the other side of art.
By Liza Eliano
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By Helen Bao
What makes musical revivals successful? Choreography in three musicals is examined, comparing the originals with the current productions and determining whether some of the integrity of the show is lost in translation.
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Professors Aloff, Cochran, Gennaro and Garafola open up about dance and its academic application.
By Mollie Lobl
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By Hannah Klain
What makes this ballet so eternal and beloved? How does it manage to bring in audiences who have seen it three dozen times already?
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Frederick Wiseman’s new film looks into the inner workings of the Paris Opera Ballet
There is a line at which two mirrors come together. If you stand in front of it, your reflection almost disappears into the crack.
Though a dance popularized in the 30's, Swing still excites a core of students at Columbia.
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Full-time students-slash-actors juggle studying and the spotlight.
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Stage to Screen and Back Again
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The Theater on Film and Tape Archive of the New York Public Library at Lincoln Center holds mystery, as well as its extensive filmed collection.
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"Why should I watch the Oscars this year?” a friend asked me. “I haven’t seen any of the films.”
By Will Ewing, Peter Labuza, Jenn Mayer, Eve Rotman, Daniel Valella, and Andrea Lopez
An elderly woman returns home to her childhood sweetheart after 50 years, vowing her undying love with a fiery zeal—then promptly, and somewhat hilariously, dies. A student rebel holds a white dove in his hands, walking ceremoniously through the streets of Havana as a crowd of thousands gathers behind him...
In court cases disputing the rights to film property, who are the real losers?
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By Peter Labuza
Is Jim Jarmusch's new film the next step for the filmmaker or a Hollywood sell-out?
In the world of rapidly expanding and diverse film festivals, is the New York Film Festival losing its appeal to Columbia students?
By Rachel Allen
As cinema continues to evolve as an art form in the 21st century, is it time to add it to the Core Curriculum?
What happens when a piano player finds movies in need of music?
By Rachel Allen
Silent Movie Magic in Theaters
Options for students needing a silent fix on the big screen.
By Peter Labuza
As the Internet continues to reshape the film industry, how can film studies catch on too?
By Peter Labuza
With Oscars, festival prizes, and box office hits, what's the secret behind Columbia's recent movie success stories?
By Paul Hsiao
Though the data seems to suggest that sex scenes do not attract filmgoers, the industry still seems to churn out cheesy and often unimportant soft-lit sex scenes.
With films like Tyler Perry's Medea series, and Precious, what is "ok" and not in african-american cinema is not always so black and white.
In an attempt to bring in more money, the Oscars change their format, disregarding tradition.
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