by Anna Cooperberg Gonzalez
Alexander Berardi / womenswear
PrintIf there’s anything that every stylish or non-stylish person can appreciate about designer collections, it’s wearability. And at Alexander Berardi’s Spring 2010 show, he presented just that. His collection included little dresses in white and cream made of light, floaty chiffon. These pieces, ever so slightly whimsical, were brought down to earth with white-piped navy Mary Janes and sharply tailored mini blazers.
It’s hard to choose a favorite in this type of collection. But for me, a white silk halter jumpsuit, accessorized with a cummerbund loosely fitted around the hip, took the lead. It was arguably one of the least wearable pieces in the collection, but it still held its ground among breathtakingly airy gowns and unbelievably intricate ruching of the same light silk. And not only that, but I spoke to the designer’s aunt and niece, the latter clad in a signature white drop-waisted, pleated creation, who confirmed that “Alexander’s clothes are so wearable, and so soft and light too.” So often you reach for a dress that looks light as air, only to find that you’ve been mistaken. That’s certainly not the case here!
To get the Berardi style on campus, try mixing sharper styles, like Oxford shirts and tailored blazers, with soft and light items like fluttery dresses and skirts that skim the figure. It’s like Blair Waldorf ‘s style, really, with much less black and much more flounce.
For additional coverage of Fashion Week, click here.
30 April 2009
vol. 6, issue 12
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Exploring the rough world of food vendors in New York City.
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Non-drinking students question the substance behind substantial friendships in the drinking scene.
By Devin Briski
Eric Ripert and Columbians agree: Fusion Food is hot.
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With so many campus-area eateries being temporarily closed due to Health Code Violations, it's only appropriate to turn a scrutinizing eye closer to home.
By Jason Bell
For the real topper to an amorous night, try experimenting with some aphrodisiacs to get you both in the mood.
Lock up your daughters, light some torches, and break out the crucifixes: Vampires have invaded our culture.
Remember that episode of Full House when the Tanners couldn’t get enough tickets to a Beach Boys concert, but happened to run into the band anyway and get invited to sing with them onstage?
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By Ruthy Sher
Caitlyn McGinn wonders which came first: our demand to illegal streaming or its endless supply?
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TV lovers can get their start in showbiz in NBC's page program.
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While CU has to drop a pretty penny every time the JumboTron is rolled out onto Low Plaza, it may be one of our last vestiges of tangible school spirit.
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From a simple drawing on a canvas to a polaroid covered in semen, contemporary art bends the boundaries of the art world and still manages to challenge its viewers.
Diana Greenwald looks to the more DIY style of today's contemporary art scene.
Liza Eliano explores the powerful place public art holds in the urban city.
By Liza Eliano
Even within our technology obsessed world, nude modeling proves to be a viable way to learn the ins and outs of visual representation.
By Liza Eliano
It’s slightly chilly. You’re standing absolutely still as a group of students carefully studies every inch of you. Oh, and you’re naked.
By Liza Eliano
Columbia students leave the city to explore the other side of art.
By Liza Eliano
The Internet has changed visual culture within the museum and on the web.
While certainly non-traditional, artists take to the streets with surprising heart and spirit in Union Square.
From found materials, student transform dim dorm décor to unique and fun layouts.
By Helen Bao
What makes musical revivals successful? Choreography in three musicals is examined, comparing the originals with the current productions and determining whether some of the integrity of the show is lost in translation.
Believe it or not, one of your fellow students might be in the corps of the New York City Ballet.
Professors Aloff, Cochran, Gennaro and Garafola open up about dance and its academic application.
By Mollie Lobl
It’s no surprise that ballet isn’t as popular as, say, “Gossip Girl.”
By Hannah Klain
What makes this ballet so eternal and beloved? How does it manage to bring in audiences who have seen it three dozen times already?
Sparkling snowflakes, delicate dewdrops, hot chocolate from Spain—all of these soul-warming things share a part in the New York City Ballet’s production of “The Nutcracker,” a ballet that elicits nostalgia for those who have grown up watching it or a feeling of holiday cheer for those who are seeing it for the first time.
Frederick Wiseman’s new film looks into the inner workings of the Paris Opera Ballet
There is a line at which two mirrors come together. If you stand in front of it, your reflection almost disappears into the crack.
Though a dance popularized in the 30's, Swing still excites a core of students at Columbia.
It’s Saturday night. You scamper into the theater and toss your tickets at the usher, overwhelmed with anticipation about seeing that big-name performer everyone is raving about. You ease into your seat, open your program, and there it is: the dreaded slip of white paper...
More and more audiences hear Spanish in mainstream American theater. Is this an appeal to authenticity or a point of confusion?
The phrases “pop, lock, and drop” and “Broadway musical” may seem completely unrelated, but surprisingly, they can be definitively linked.
By Maddy Kloss
Full-time students-slash-actors juggle studying and the spotlight.
By Rosie DuPont
Stage to Screen and Back Again
Musicals and movies go together like ramma-lamma-lamma ka dinga da dinga dong.
Tony Award-winner Greg Jbara of Broadway's "Billy Elliot" reflects on his path from school to stage.
A new company promises to distribute 3D films of Broadway shows across the U.S. But will their invention change theater in a good way?
By Ishani Mitra
Nearing it's first 200,000 ticket sales, the Ticket Information Center in Lerner has solved many of the problems it was created to deal with, but still struggles at times.
The Theater on Film and Tape Archive of the New York Public Library at Lincoln Center holds mystery, as well as its extensive filmed collection.
Fact: It is impossible not to look foolish while wearing 3-D glasses. Red and blue plastic lenses with cardboard rims seldom flatter the average Joe’s bone structure—but still, crowds rush to theaters whenever a 3-D movie hits the big screen...
"Why should I watch the Oscars this year?” a friend asked me. “I haven’t seen any of the films.”
By Will Ewing, Peter Labuza, Jenn Mayer, Eve Rotman, Daniel Valella, and Andrea Lopez
An elderly woman returns home to her childhood sweetheart after 50 years, vowing her undying love with a fiery zeal—then promptly, and somewhat hilariously, dies. A student rebel holds a white dove in his hands, walking ceremoniously through the streets of Havana as a crowd of thousands gathers behind him...
In court cases disputing the rights to film property, who are the real losers?
Where Have All the Cowboys Gone?
What has happened to America after the death of the western movie?
By Peter Labuza
Is Jim Jarmusch's new film the next step for the filmmaker or a Hollywood sell-out?
In the world of rapidly expanding and diverse film festivals, is the New York Film Festival losing its appeal to Columbia students?
By Rachel Allen
As cinema continues to evolve as an art form in the 21st century, is it time to add it to the Core Curriculum?
What happens when a piano player finds movies in need of music?
By Rachel Allen
Silent Movie Magic in Theaters
Options for students needing a silent fix on the big screen.
By Peter Labuza
As the Internet continues to reshape the film industry, how can film studies catch on too?
By Peter Labuza
With Oscars, festival prizes, and box office hits, what's the secret behind Columbia's recent movie success stories?
By Paul Hsiao
Though the data seems to suggest that sex scenes do not attract filmgoers, the industry still seems to churn out cheesy and often unimportant soft-lit sex scenes.
With films like Tyler Perry's Medea series, and Precious, what is "ok" and not in african-american cinema is not always so black and white.
In an attempt to bring in more money, the Oscars change their format, disregarding tradition.
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