Rosa Chá / swimwear
PrintIn the world of swimwear, Brazilians have always reigned supreme, and Rosa Chá’s Spring 2010 collection was no exception. Still, with his first show as the label’s newly appointed creative director, fashion bigwig Alexandre Herchcovitch offered an aesthetic that was decidedly American. In the past, Rosa Chá was known for using the bright colors of Rio and accents straight from the Amazon, but this year the collection’s essence channeled the famous “We Can Do It” poster with retro head wraps and 1940’s-inspired high-waisted bottoms with polka dots. The long, flowy cover-ups were replaced with minidresses perfect for the transition from beach to city. Even the color palate was composed of pastels and whites in place of the usual vibrant hues. Especially notable were the one-piece swimsuits made of woven straps in pale green, blue, and yellow. Still, Herchcovitch remained true to the essence of the label: paying homage to sunny Brazil with pops of bright orange, flattering the female figure, and ultimately elevating swimwear to high fashion. Columbia students take note, “high-waisted” is not just for jeans anymore.
For additional coverage of Fashion Week, click here.
30 April 2009
vol. 6, issue 12
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Stage to Screen and Back Again
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By Will Ewing, Peter Labuza, Jenn Mayer, Eve Rotman, Daniel Valella, and Andrea Lopez
An elderly woman returns home to her childhood sweetheart after 50 years, vowing her undying love with a fiery zeal—then promptly, and somewhat hilariously, dies. A student rebel holds a white dove in his hands, walking ceremoniously through the streets of Havana as a crowd of thousands gathers behind him...
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By Rachel Allen
As cinema continues to evolve as an art form in the 21st century, is it time to add it to the Core Curriculum?
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Silent Movie Magic in Theaters
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By Peter Labuza
As the Internet continues to reshape the film industry, how can film studies catch on too?
By Peter Labuza
With Oscars, festival prizes, and box office hits, what's the secret behind Columbia's recent movie success stories?
By Paul Hsiao
Though the data seems to suggest that sex scenes do not attract filmgoers, the industry still seems to churn out cheesy and often unimportant soft-lit sex scenes.
With films like Tyler Perry's Medea series, and Precious, what is "ok" and not in african-american cinema is not always so black and white.
In an attempt to bring in more money, the Oscars change their format, disregarding tradition.
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